PERSIAN BUBBLE & SIMMER

I know what your’re thinking: this blog is nice and all, but it’d be better if you could post a 20-minute piece of musique concrete from Iran.

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Well, here’s 19 minutes and 5 seconds.

[audio:alireza_mashayekhi–east-west_op.45_(1973).mp3]

Alireza Mashayekhi – East-West, Op 45 (1973)

Alireza Mashayekhi is an Iranian composer. He writes troubling ‘philosophy‘ (“the artist should not try to use art as a platform to expound on his social or political opinions”) and makes gripping electroacoustic music.

This piece comes from the excellent 2-CD album, Persian Electronic Music: Yesterday and Today 1966-2006, which devotes one disc to Mashayekhi and another to Ata Ebtekar.

[audio:ata_ebtekar-lovaz.mp3]

Ata Ebtekar – Lovaz

‘Lovaz’ has a Fckbuttonsy middle (epic, pretty noise synths for the post-guitar set) bookended by squirggling analog modulation freakouts.

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RADIO & BEATRESEARCH TONIGHT

Tonight’s radio show – my musical selection, prerecorded, Lamin holding it down on the mic realtime (call him up!). Theme: BOIMA AFTERMATH. On Thursday the Chief and I went up to 116th and hit the African CD shops… Listen to last week’s show w/ Chief Boima here, or catch him live in Europe.

Also this evening, in Cambridge, I’ll join DJ C (in from Chicago!), Wayne & Wax, and DJ Flack for a special impromptu Beatresearch Boston-folk reunion lineup!

I’ll be spinning at 10pm sharp. The event is free, my cumbia is strong.

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TEHRAN: DISPATCH # 11

My friend, filmmaker B, whom I am not allowed to call Texan, is in Iran right now. Sending out dispatches via email. After the photo is an excerpt from dispatch # 11. The personal weight and texture of an email augments the realness of the situation, at least for me.

It is so easy to change your Twitter icon to green and read newsfeeds… the hard thing is anything else, information into action.

Returning to New York’s poverty and hi-rent capitalism was particularly strange after spending so much time this past tour in Scandinavia and the Netherlands. (Staying in a now-legal squat in Amsterdam, playing at some festivals with arts funding and kids paid to curate and produce them.) Northern Europe has its share of problems, yes, but also strong social nets for its citizens (health care, education..). The challenge is not to remain informed about large-scale upheaval abroad (although that is part of it), but to find things to push towards and fight for, here, on one’s block, neighborhood, city. Distance is comforting. Intimacy is the hard part.

Maybe I’m just saying I’ve got too many broke, talented friends in NYC who are just barely hanging on, and that I want this city to resemble us, our city, more than it does now.

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from Bani:

It is hard to know exactly what is happening in the top ranks, and what political phase the country is moving into. It is a time to be thinking, interacting, and planning. There is no real strategy nor an idea of what shape this action should take. It is refreshing to be constructing a movement with people and working towards something collectively without leaders around or political parties, but at the same time, there is no hope of having enough force to confront the regime without some structural help or some internal battles being fought at the top levels – that is unless we want this to become a bloody battle once again. But with the thousands killed during the revolution and the purges that took place afterwards on everyone’s minds, this is not what people want to move towards. Not now at least.

The resilience and the determination to change things peacefully is remarkable for me. It has made me think about a lot, and to watch how people work together to maintain silence during the demonstrations is beautiful. At yesterday’s quiet march, people held signs with sentences, slogans, photographs of the violence of the past days, and the names of those who have been killed. There was a feeling of mourning in the air, but also of tension. We all know that things are serious, and our great numbers in the streets are our only protection. This will continue until we achieve the minor request of announcement of election fraud, or until people tire and move towards other methods. There is the possibility that those imprisoned remain there, that Moussavi is done away with by some means (exile, house arrest, etc), and that Ahmadinejad remains the illegitimate president of an unlawful dictatorship. If this happens, the next four years would mean major organizing in the underground and a new stage in Iranian political activism. One thing is sure: people are no longer going to accept the self-censorship or fear that has been imposed upon them. It is already easier to speak to people on the street and in shops without wondering if they work for the secret service, or if they will tell the police. Our collective trauma from SAVAK times, and mainly from the Islamic form of ideology and socio-political cleansing that has taken place for the last 30 years, persists today. Yesterday was a reminder of that.

In addition to this psychological war that the regime wages upon us by cutting our connection to the outside world, and to each other, there are a number of ways that we are threatened. I cannot go into detail now, but starting yesterday morning, our house received phone calls every 15 minutes from an unknown number. The caller ID showed a number with many zeros at the end, which from our experience means that the secret service or police are trying to get in touch. We did not answer, and luckily I had taken all my videotapes and other things to another house, but there is a still a feeling of insecurity. Like many others in the city, our house had become a sort of unofficial ‘newsroom’ with people coming in and out, working, making phone calls, emailing, and sleeping in different spots around the house. We decided to calm things, now that Facebook, Twitter, Youtube and blogging have made it possible to announce our resistance to the world. But this is precisely what we are worried about, that the psychological games of the regime and the disappearances and arrests will begin again, at an even harsher intensity.

Last night Bassijis were roaming the neighborhood, going into some homes to gather satellite dishes. We got rid of a lot of things, hiding others. This is what will begin happening; and paranoia will set in again. We can already feel it. Now we have word that some of the reformists and other political figures are saying that they should put an end to the direct opposition to the Supreme Leader. This is disheartening for us. Right now, there is definitely a threat to the tight grip that Khamenei maintains over the people, and within the hierarchical structure of the Republic; a threat as well to the pillars of the 1979 revolution. As of today, we have reports of 500 people arrested: political leaders, students, activists, journalists, and others who have been suspected of dissent. The latest news is that the French Embassy in Tehran has been attacked. Fifteen members of our Documentary Filmmakers Association have been arrested in the streets since Saturday, despite having official permits to film in the streets. Many of them were beaten by plainclothes police or Bassijis, and their homes have been raided. There is a harsh crackdown. I am debating on leaving soon, before it becomes impossible to do so. We are strategizing, trying to be pragmatic, and intelligent. It is a hard situation to judge.

MAJOR SWEDISH LAZER PIRATES

Busy on tour, the blog gets a bit neglected… Andy & I are playing Tuesday through Sunday, a show (or two) each night. This much real-world sound translates into online silence (I don’t have an iPhone).

Warding off that soundlessness, here are two ultra-fresh new jams ::: MAJOR LAZER ft. Jahdan & a SWEDISH PIRATE CUMBIA REMIX by yours truly.

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[Jahdan Blakkamoore]

first up: June is a good month for Dutty Artz’s Jahdan Blakkamoore, he features on Diplo and Switch’s reggae project ‘Major Lazer’ (album streaming now, out next week), and Jahdan also drops some verses on a Lee ‘Scratch’ Perry 12″. Here’s our man nicing up a Major Lazer tune.

[audio:MajorLazer-Cash Flow_ft_Jahdan_Blakkamoore.mp3]

Major Lazer – Cash Flow feat. Jahdan Blakkamoore

It’s a pleasant surprise to hear Dip & co. workin with JD in a conscious roots reggae mode (JD’s roots roots run deep). Cash Flow is a very satisfying appetizer to the incoming Jahdan Blakkamoore album Buzzrock Warrior (produced by Matt Shadetek, myself, and the Dutty Artz family, out this September on Gold Dust). Which will crush everything.

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I’m in love with D.F., Mexico City. Forget leafy Berlin, let’s all move there, sísísí!

When Geraldine Juárez, one of my favorite piratas/artistas, asked me to remix a Swedish piracy jingle to accompany a video of Mexico City’s young Internet Embassador, Mila, playing in an Embajada Pirata / Embassy of Piracy — made from repurposed US postal service envelopes and constructed in a D.F. park — I said claro k si! (Piracy? Distribution. I have been known to defend the pig.)

[audio:http://secretgooglecheatcodes.com/Cumbia_De_Las_Piratas-DJ_Rupture_Mix.mp3]

Cumbia de L@s Piratas – DJ Rupture refix

Cumbia DNA courtesy of Discos Barba Azul. Guitar by Andy Moor. Swedish Pirate anthem remix files here.

Speaking of Sweden – as Europe swings even further to the right, at least the Swedish Pirate Party won a seat in European Parliment! Kinda crazy! But nowhere near as crazy as, say, Dutch far-right or British National Party gains.. Anyhow, before we resume fighting the power, check Geraldine’s sweet video with my sweaty cumbia refix soundtrack:

Embajada Pirata México

MEANWHILE, BACK IN NEW YORK

Toy Selectah is a man of many producerly hats. From masterminding Celso Pina’s crossover megahit “Cumbia Sobre el Rio” to pushing the (somewhat defunct) Machete reggaeton/Spanish-language hiphop label a few years back, to his latest 130bpm Mirlos edit on Bersa Discos and free remix album

I’m still too busy in Barcelona to post new audio, but New York can listen to Toy live tomorrow (@ Santos Party house with Dutty Artz family).

Or win tickets to the show on my radio show tonite. I’ve prerecorded the music and Lamin Fofana will be holding it down on the mic.

I upped this tune over at La Congona a few weeks ago – Toy remixing Santogold in a cumbia-gone-doubletime style. Around the corner from where I live they now sell “BROOKLYN WE GO HARD” t-shirts. Reach!

[audio:http://lacongona.com/mp3/Shove%20It%20(Cumbia%20Remix).mp3]

Santogold vs Toy Selectah – Shove It (cumbia remix)

HACKINTOSH

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Long story short: I recently put together a ‘hackintosh’ computer — Macintosh software on PC parts. It’s running OS X Leopard and cost me $325. I kept the price low by salvaging parts from an old PC. 4 gigs of RAM, duo-core processor, the whole deal. Fast. Cheap.

Hackintosh construction is a gray zone, no doubt about that. Info scatters across a handful of forums and sites. Since it involves shoehorning Apple’s operating system into a hodge-podge of PC components, everyone’s experience differs, and most of the online discussion is very technical, with lots of snippety moderators who have little time for folks like me who are in way over their heads.

I wouldnt (read: can’t) pay Macintosh hardware prices, so the inexpensive Frankensteined hackintosh was a fantastic option. I’m proud to say it runs smoothly (ok, the machine can’t “sleep”, but all else is stable and transparently Mac). Plus I get the pleasure of sneaking high-end software inside a banged up, taped-up, dusty, stained old PC case.

I did this primarily to use Logic 8, a nice piece of music production software that used to be for Windows and Mac, until Apple bought it and promptly discontinued the Windows version.

Logic is Matt Shadetek’s weapon of choice, and my other musical partner Andy Moor uses it as well, so I figured it was finally time to get on the same page as them to facilitate collabo.

If you’re curious, I found this overview to be quite helpful, and this page helped out immensely with my particular hardware combo. (I used the hackintosh-friendly Gigabyte G31M-ES2L motherboard and an nvidia 7300GT video card.)

B’NET HOUARIYAT AHORA

Groupe

Tonight, in Washington D.C., B’net Houariyat will give a free 6pm performance as part of the Arabesque: Arts of the Arab World festival.

The ‘Daughters of Houariyat’ sing and play drums. Voices carry the melody as a tough percussion workout keeps things moving. The experience is autotune-free, rootsy & great. Ethnomusicological writeup here. Albums here.

These songs come from their 1993 ‘Love Poems of the Women of South Morocco’ album.

[audio:BnetHouariyat_Salleou-ala-nabi-l’habib.mp3 ]

B’net Houariyat – Salleou Âla Nabi L’habib

[audio:BnetHouariyal_Li-der-fia-l’khir.mp3]

B’net Houariyat – Li Der Fia L’khir

K-K-K-UMBIA

[Vampi terraza foto by Sonido Martines]

here by popular request… an hourlong mix of cumbia. this is like my BBC session, proper full audio, with some edits and the vocal drops removed, etc. Harlem mixtape discface-printing CD-r slimline case style.

$8 includes shipping in the US, $11 includes overseas shipping. PayPal. On sale here this week only.

choose shipping location